Just as they arrive in Paris, they see that the ground explode and make a giant hole, as Maelstrom and another henchmen exit the hole. car and climb in with Carmen then they use a C5 corridor.
They also figure out the music that played from the staff is from the Carmen musical opera, where specifically that portion of the musical is stored in a museum in Paris, France. She had a club with a flag that had an object and a building with Islamic architecture.Ĭhief looks at the items and the building is a minaret typical of mosques and that it is from Seville, Spain the red object is a bullfighting ring in the same city. She tells them about Maelstrom and his desire to get rid of her. She had suffered an injury in her right arm and is in a splint. When Ivy and Zack enter the room to do paperwork, Carmen Sandiego appears at a window and talks to them. Chief talks to the Chief of police and he lets them out as long as Ivy and Zack finish some paperwork for him. Ivy and Zack are caught by police and taken to jail. Maelstrom, who is bent on destroying her forever, while carrying out a plan to steal “The unstealable” – Noah's Ark!įollowing the events of the previous two episodes, Chief provides a summary of the events. This is her third time playing Carmen and she feels she’s finally dug into the marrow of her character’s bones.In the rousing climax to a three part story, Carmen works with Zack and Ivy to stop her evil nemesis, Dr. and New York, required her to lie nude and motionless on a tilted dissection table every night for an hour.Īs adventurous as that may sound, Southwell said she’s even more thrilled with the risks she’s taking in this production.
The role, for which she earned rave reviews in L.A.
Southwell starred as a notorious 18th-century murderess whose body was publicly dissected for clues to her dark nature. They first collaborated last year, when he served as assistant director on LA Opera’s “anatomy theater,” a new opera by David Lang that explored the source of evil.
He recorded with two punk/funk/disco ensembles before turning to theater and opera direction. In high school, Gedeon discovered opera (Philip Glass’ “Einstein on the Beach”) and followed his muse east to study experimental theater at NYU. She studied vocal performance at UCLA and has worked heavily in L.A.’s opera and theater companies and collectives where she is also an actor and designer.
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